Tips for Effective Dialogue Writing:

Writing effective dialogue is essential for creating engaging and authentic storytelling. Here are some tips to help you improve your dialogue writing skills:

  1. Listen to Real Conversations: Pay attention to how people speak in real life. Notice the natural flow, pauses, and the way people express themselves. This can provide inspiration for creating realistic dialogue.
  2. Show, Don’t Tell: Use dialogue to show emotions, relationships, and character dynamics rather than explicitly telling the reader. Subtext and nuances make dialogue more interesting and authentic.
  3. Keep it Concise: Avoid long-winded speeches. Dialogue should be concise and to the point. Cut unnecessary words to maintain a natural flow and keep the reader engaged.
  4. Use Tags Sparingly: While it’s essential to attribute dialogue to specific characters, use dialogue tags (e.g., “he said,” “she asked”) sparingly. Often, clear context or actions can indicate the speaker.
  5. Vary Speech Patterns: Different characters should have distinct speech patterns, vocabulary, and rhythms. This helps readers differentiate characters and adds authenticity to your dialogue.
  6. Include Interruptions and Overlaps: Real conversations often include interruptions and overlapping dialogue. Incorporate these elements to make your dialogue feel more dynamic and lifelike.
  7. Avoid Exposition Dumps: Resist the urge to use dialogue as a vehicle for delivering extensive exposition. Instead, spread information throughout the narrative to maintain a natural flow.
  8. Use Subtext: Create depth by including subtext in your dialogue. Characters may not always say what they mean, and including underlying emotions or hidden meanings can add layers to your story.
  9. Consider Non-Verbal Cues: Dialogue doesn’t exist in isolation. Include non-verbal cues such as body language, facial expressions, and gestures to enhance the communication between characters.
  10. Pace the Conversation: Vary the pace of your dialogue to match the tone and tension of the scene. Rapid-fire exchanges can create tension, while slower, reflective conversations can provide depth.
  11. Read Your Dialogue Aloud: Reading your dialogue aloud can help you identify awkward phrasing, unnatural rhythms, or inconsistencies. If it sounds awkward when spoken, it might need revision.
  12. Think About Context: Consider the context in which the characters are speaking. The same words can have different meanings depending on the situation, so make sure the dialogue fits the scene.
  13. Use Dialogue to Advance the Plot: Ensure that your dialogue contributes to the overall plot and character development. Avoid filler conversations that don’t add value to the narrative.
  14. Be Mindful of Dialect and Accents: If your characters have specific dialects or accents, be consistent in their representation. However, avoid excessive phonetic spelling, as it can be distracting.
  15. Edit and Revise: Dialogue often benefits from careful editing. Review your dialogue with a critical eye, cutting unnecessary words and ensuring each line serves a purpose.

Practicing is the most important thing and overtime, you’ll become more adept at crafting effective and realistic dialogue that enhances your storytelling.

The Art of Crafting Memorable Characters:

Developing well-rounded and memorable characters is crucial for creating engaging and relatable stories. Here are some techniques to help you craft characters that resonate with your readers:

  1. Detailed Backgrounds: Develop a comprehensive background for each character, including their history, experiences, and personal relationships. Understanding a character’s past helps you shape their present actions and motivations.
  2. Motivations and Goals: Clearly define your character’s motivations and goals. What do they want, and why do they want it? This provides depth to their actions and decisions throughout the narrative.
  3. Flaws and Imperfections: Give your characters flaws and imperfections that make them relatable and human. Perfect characters can be hard for readers to connect with, so embrace the flaws that make your characters unique.
  4. Internal Conflicts: Explore internal conflicts within your characters. What are their doubts, fears, or unresolved issues? Internal struggles add complexity and emotional depth to your characters.
  5. Unique Voice and Dialogue: Develop a distinct voice for each character. Pay attention to their speech patterns, vocabulary, and tone. Consistent and unique dialogue helps readers differentiate characters and adds authenticity.
  6. Physical Descriptions and Quirks: Provide vivid physical descriptions and quirks that make your characters memorable. These details can be visual, auditory, or even related to their movements and habits.
  7. Relationships and Interactions: Consider the dynamics between your characters. How do they interact with one another? Well-developed relationships contribute to the richness of your characters and the overall story.
  8. Change and Growth: Allow your characters to evolve throughout the narrative. Characters should face challenges and undergo personal growth or change over the course of the story.
  9. Backstories: While you don’t have to reveal every detail in your story, knowing your character’s backstory is essential. This knowledge informs their actions and decisions and adds depth to their portrayal.
  10. Empathy Building: Help readers empathize with your characters by showcasing their vulnerabilities, hopes, and struggles. When readers care about the characters, they become invested in the story.
  11. Consistency: Ensure consistency in your character’s behavior and traits unless there’s a deliberate reason for change. Consistency helps maintain believability and coherence in the narrative.
  12. Symbolism and Themes: Consider using symbols or themes associated with your characters. This can add layers to their personalities and contribute to the overall thematic elements of your story.

Remember that characters don’t exist in isolation; their development should be intertwined with the plot. By combining these techniques, you can create well-rounded characters that leave a lasting impression on your readers.

Plot hole

A plot hole or plot error is a gap or inconsistency in a storyline that goes against the flow of logic established by the story’s plot. Such inconsistencies include such things as illogical or impossible events, and statements or events that contradict earlier events in the storyline. As an example, we are going to take a look at the latest Resident Evil film.
Note* This post contains spoilers from Resident evil: The final chapter.

Okay let’s first get a quick run down of the franchise explained by Milla Jovovich.

 

Now lets’s examine the plot holes in the Resident Evil franchises that have popped up because of this final movie.

The T-virus was made by Dr. Charles Ashford for his daughter Angela Ashford. Angie possessed the same degenerative condition as her father, Angela was eventually going to spend the remainder of her life in a wheelchair. Her father prevented this by developing the t-Virus. While in almost all cases of humans infected with the virus, suffering uncontrollable mutation, the reanimation of dead cells that the t-Virus caused was enough to allow Angela to regenerate her limbs and walk again if kept in check with injections of an anti-virus. This was the established story in the second movie Resident Evil Apocalypse. In Resident Evil the final chapter this is completely erased. With no explanation at all. Now the virus is made by James Marcus for his daughter
Alicia Marcus, who had progeria, a deadly disease that caused Alicia to prematurely age at an accelerated rate. Alice is a clone of Alicia.
Now it could be possible that Dr. Ashford and Dr. Marcus developed it to getter for both their daughters, but that is never explained.

In The final chapter it is revealed that Umbrella released the T- virus, but in the first movie it was said that Spence an Umbrella employee in a romantic relationship with Alice released the virus to sell then the ant-virus on the black market. Umbrella seemed not to know about that and tried to contain the virus.
It is possible that this was done on purpose. Alice was a clone created to act as a guard for the mansion, its possible Spence was also a clone as well, especially since Umbrella has been shown to use clones for security tasks. Also pointing to this is that Doctor Alexander Isaacs wished for the T-virus to be released to create an apocalypse and so may have planted Spence programed for this very purpose. And the containment part has been just a distraction for the public.

The red queen can not harm umbrella employees, according to The final chapter. But in the first movie and Retribution she harmed Umbrella employees.
This could be explained that it maybe has to do with certain Umbrella employees.

All these plot holes could be explained, but they are not. That is quite a shame it could help making the movie feel like a hole. I really like the Resident Evil movies and the games. I I just wish that they had taken a more critical look at the storyline coherent.

So here are some tips to find your plot holes and fix them:

  1. Know your story well
  2. Examine your plot
  3. Character checklist
  4. Know the laws of your story’s world.
  5. Utilize beta-readers.

Remember every story will have faults. No writer is perfect.

Here is the awesome soundtrack from Paul Haslinger an Austrian musician and composer who composed many soundtracks for films, series and games like Underworld, Fear The Walking Dead and Far Cry Instincts.

Planet Earth II

Must watch: Planet Earth is one of the most beautiful documentaries. If you need inspiration I would recommend watching it.

Alpha and Beta Readers

An alpha reader or beta reader is a non-professional reader who reads a written work,  with the intent of looking over the material to find and improve elements such as grammar and spelling, as well as suggestions to improve the story, its characters, or its setting. It is typically done before the story is released for public consumption. They are not proofreaders or editors, but they can serve in that context. I always ask my alpha and beta readers specific questions. It is important to tell your alpha readers and beta readers what you want to know. And where you need help. It also makes it clear for the reader themself. I ask my alpha readers more In-depth questions and my beta readers more if they liked what they have read.

Things I will always ask my alpha readers are:

  • Plot holes
  • Continuity
  • Characterization
  • Underdeveloped plot/subplots or characters
  • Originality of ideas
  • Pacing
  • Story structure
  • Spelling and grammar

Clarity. Do you understand what is going on? Can you picture the setting and the characters in your head? Can you see where everyone is in relationship to each other?  Was the fight scene confusing? Is my word choice obscure?

Impact. Do you like these characters? Are you frustrated with them? Do you love them? Are you afraid? Is this intense? Are you bored? Do you wish you could stop reading? Do you feel like you’re there with the characters? Was the ending satisfying or did I drop the ball?

Believability.  How are my characters’ reactions? Does my fight scene feel real? Does this fit together and make sense?

Interest.  Does this fascinate you the way it fascinates me?  Are you hooked?  Is this too much detail or not enough?


Things I aske my beta readers:

  • What bores you
  • What confuses you
  • What don’t you believe
  • What’s cool? (So I don’t accidentally “fix” it.)